A creator who created surreal fantasy with Metamorphosis

Félix Labisse was a polymath in the world of surrealist art. His talents extended beyond painting to poetry, criticism, screenwriting, and designing for theatre and opera. Born in 1905, Labisse’s unique, otherworldly style left an indelible mark on 20th-century art. His works, a blend of fantasy and surrealism, were known for their mystical allure.

Labisse’s art is rooted in Metamorphosis, with images shaping the shift between dreams and reality. His paintings often capture the feminine mystique’s magic, sorcery, and elements, blending rich, vivid colours with graceful lines to create timeless yet haunting scenes. In 1960, he introduced his iconic “blue women” series, surreal female forms with remarkable, lacquered skin and striking, oversized eyes. One of the most well-known pieces from this series is ‘Bain Turquoise’, an ethereal depiction that captures his fascination with fantasy and beauty.

After serving in the military during WWII, Labisse returned to Paris in 1940 and swiftly established himself as a leading figure in modern French painting. By 1943, he was fully dedicated to his art, dividing his time between painting and theatre design. His work on Jean-Paul Sartre’s Le Diable et le Bon Dieu, directed by Louis Jouvet in 1951, is a testament to how his surreal vision transcended the canvas.

Labisse’s portrayal of women—often nude, with smoothed contours and immense, knowing eyes—has become a significant part of modern art history. His work offers a glimpse into a world where mythology, eroticism, and magic all blend seamlessly, making him a standout in the surrealist movement. Whether in Paris or Knokke Le Zoute, Labisse created works that challenged conventional boundaries and invited viewers into a reality where fantasy reigns supreme.